The Day After Tomorrow
DON’T MISS THE
HOTTEST THRILLER
OF THE YEAR!
“AN ENTERTAINING PAGE-TURNER . . . . The kind of book that hooks you . . . . Guaranteed to keep readers of suspense thrillers up into the wee hours feverishly reading to discover the outcome.”
—Houston Post
“HIGH-SPEED STORYTELLING, zigzagging from Paris bistros to the Zurich lairs of the rich and famously evil.”
—Detroit Free Press
“SPELLBINDING . . . and the last line is a kilter.”
—Milwaukee Journal
“A PAGE-TURNING WHOPPER . . . . A veritable encyclopedia of planes, trains, automobiles, plastic explosives, hairbreadth escapes, and passionate clinches.”
—Entertainment Weekly
“TAUTAND SUSPENSEFUL . . .COMPELLING ADVENTURE.”
—San Francisco Chronicle
“IT STARTS OUTWITH A BANG, REMAINS ACTION-PACKED THROUGHOUT . . . . It’s got evil science of a gleaming, high-tech sort; it’s filled with stylish European locales, and . . . there’s a love interest of the sexiest sort”
—Boston Review
“HARROWING . . . Two pages into the novel, the hero tries to choke a stranger to death. The pace picks up from there . . . . Expect to see this book tucked into carry-on baggage, propped up on beach blankets, and tossed on poolside tables for months to come.”
—Buffalo News
“A ONE-SITTING NOVEL . . . DELIVERS IN FULL— AND THEN SOME!”
—Publishers Weekly (starred review)
“[YOU’LL] BE HOOKED FROM PAGE ONE!... Folsom keeps his complex plot spinning with tremendous brio and momentum.”
—Kirkus Review (starred review)
“A COMPLEX, LAYERED THRILLER. Each development yields some answers but also deepens and widens the mystery.”
—San Diego Union-Tribune
“YOU WILL BE PLUNGED IN, SUDDENLY AND CERTAINLY HOOKED;... Fun, and the ultimate triumph over evil is both ironically appropriate and spectacular.”
—St. Petersburg Times
“NEVER A DULL PAGE . . . . Guaranteed to keep you reading past midnight”
—San Gabriel Valley Newspapers
“SKILLFULLY WRITTEN AND IMAGINATIVE . . . . The conclusion is too ingenious, too artfully sustained until the book’s final page—its final two words—to say anything more.”
—Alta Vista Magazine
“A BLOCKBUSTER PACE that races at breakneck pace through Europe. . . . But be forewarned, don’t even dare peek at THE DAY AFTER TOMORROW unless you plan to set aside a long weekend, turn off the phone, and stock the fridge, because you won’t be going anywhere until after the final chase through the Alps.”
—Book Page
Copyright
This book is a work of fiction. Names, characters, places, and incidents are the product of the authors imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.
Copyright © 1994 by Allan Folsom
All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.
Vision
Hachette Book Group
237 Park Avenue
New York, NY 10017
Visit our website at www.HachetteBookGroup.com.
www.twitter.com/grandcentralpub.
Vision is an imprint of Grand Central Publishing. The Vision name and logo is a trademark of Hachette Book Group USA, Inc.
First eBook Edition: November 2008
ISBN: 978-0-446-54989-9
Contents
DON’T MISS THE HOTTEST THRILLER OF THE YEAR!
Copyright
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Chapter 90
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Chapter 100
Chapter 101
Chapter 102
Chapter 103
Chapter 104
Chapter 105
Chapter 106
Chapter 107
Chapter 108
Chapter 109
Chapter 110
Chapter 111
Chapter 112
Chapter 113
Chapter 114
Chapter 115
Chapter 116
Chapter 117
Chapter 118
Chapter 119
Chapter 120
Chapter 121
Chapter 122
Chapter 123
Chapter 124
Chapter 125
Chapter 126
Chapter 127
Chapter 128
Chapter 129
Chapter 130
Chapter 131
Chapter 132
Chapter 133
Chapter 134
Chapter 135
Chapter 136
Chapter 137
Chapter 138
Chapter 139
Chapter 140
Chapter 141
Chapter 142
Chapter 143
Chapter 144
Chapter 145
>
Chapter 146
Chapter 147
Chapter 148
Chapter 149
Chapter 150
Chapter 151
Chapter 152
Chapter 153
Chapter 154
Chapter 155
Chapter 156
Chapter 157
Chapter 158
Chapter 159
Acknowledgments
A Preview of Day of Confession
For Karen...
1
* * *
Paris, Monday, October 3.
5:40 P.M.
Brasserie Stella, the rue St.-Antoine.
PAUL OSBORN sat alone among the smoky bustle of the after-work crowd, staring into a glass of red wine. He was tired and hurt and confused. For no particular reason he looked up. When he did, his breath left him with a jolt. Across the room sat the man who murdered his father. That it could be he was inconceivable. But there was no doubt. None. It was a face forever stamped in his memory. The deepset eyes, the square jaw, the ears that stuck out almost at right angles, the jagged scar under the left eye that worked its way sharply down across the cheekbone toward the upper lip. The scar was less distinct now but it was there just the same. Like Osborn, he was alone. A cigarette was in his right hand and his left was curled around the rim of a coffee cup, his concentration on a newspaper at his elbow. He had to be at least fifty, maybe more.
From where Osborn sat, it was hard to tell his height. Maybe five foot eight or nine. He was stocky. Probably a hundred and eighty pounds. His neck was thick and his body looked hard. His complexion pale, his hair was short and curly, black, speckled with gray. Stamping out his cigarette, the man lit another, glancing Osborn’s way as he did. Then, putting out the match, he went back to his paper.
Osborn felt his heart skip a beat and the blood start to rise in his veins. Suddenly it was Boston and 1966 again. He was barely ten and he and his father were walking down the street. It was an afternoon in early spring, sunny but still cold. His father, dressed in a business suit, had left his office early to meet his son at the Park Street subway station. From there they crossed a corner of the Common and turned down Winter Street in a flurry of shoppers. They were going to a sale at Grogin’s Sporting Goods. The boy had saved all winter for a new baseball mitt, a first baseman’s glove. A Trapper model. His father had promised to match his savings dollar for dollar. Together they had thirty-two dollars. They were in sight of the store, and his father was smiling, when the man with the scar and the square jaw struck. He stepped out of the crowd and shoved a butcher knife into his father’s stomach. As he did, he glanced over and saw the boy, who had no idea what was happening. In that instant their eyes met. Then the man moved on and his father crumpled to the pavement.
He could still feel the moment, standing so terribly alone on the sidewalk, strangers massing to look, his father staring up at him, helpless, uncomprehending, blood beginning to seep through fingers that had instinctively sought to pull the weapon out but had, instead, died there.
Twenty-eight years later and a continent away the memory roared back to life. Paul Osborn could feel the rage engulf him. In an instant he was up and across the room. A split second later the two men, table and chairs, crashed to the floor. He felt his fingers close around a leathery throat, a stubble of beard at the neck pressed against his palm. At the same time he felt his other hand pounding savagely down. His fist a runaway piston, wrecking flesh and bone, determined to batter the life from it. Around him people were screaming but it made no difference. His only sense was to destroy forever the thing he had in his grasp.
Suddenly he felt hands under his chin, others under his arms, jerking him up and away. He felt himself hurtling backward. A moment later he crashed into something hard and fell to the floor, vaguely aware of dishes falling around him. Then he heard someone yelling in French to call the police! Looking up, he saw three waiters in white shirts and black vests standing over him. Behind them, his man was getting up unsteadily, sucking in air, blood gushing from his nose. Once up, he seemed to realize what had happened and looked toward his attacker in horror. Refusing a proffered napkin, he suddenly bolted through the crowd and out the front door.
Immediately Osborn was on his feet.
The waiters stiffened.
“Get the hell out of my way!” he shouted.
They didn’t move.
If this were New York or L.A. he’d have yelled that the man was a murderer and for them to call the police. But this was Paris, he could barely order coffee. Unable to communicate, he did the only thing he could. He charged. The first waiter moved to grab him. But Osborn was six inches taller, twenty pounds heavier and running as if he were carrying a football. Dropping his shoulder, he drove it hard into the man’s chest, spinning him sideways into the others so that they fell in a resounding comic crash, helplessly pinned one on top of the other, in a small service area halfway between the kitchen and the door. Then Osborn was through the door and gone.
Outside it was dark and raining. The rush-hour crowd filled the streets. Osborn dodged around them, his eyes scanning the sidewalk ahead, his heart pounding. This is the way the man had run, where the hell was he? He was going to lose him, he knew it. Then he saw him, a half block ahead, moving down the rue de Fourcy toward the Seine.
Osborn quickened his pace. His blood was still up but the violent explosion had spent most of his murderous rage and reason was beginning to set in. His father’s murder had taken place in the United States, where there was no statute of limitations on murder. But was that true in France as well? Did the two countries have a mutual extradition treaty? And what if the man was French, would the French government send one of its own citizens to the U.S. to be tried for murder there?
A half block ahead, the man looked back. As he did, Osborn dropped back into the throng of pedestrians. Better to let him think he got away, calm a little, lose his caution. Then, when he’s off guard, grab him alone.
A light changed, traffic stopped, so did the crowd. Osborn was behind a woman with an umbrella, with his man no more than a dozen feet away. Again he saw the face clearly. No doubt at all. He’d seen it in his dreams for twenty-eight years. He could draw it in his sleep. Standing there, the rage started to build once more.
The light changed again and the man crossed the street ahead of the crowd. Reaching the far curb, he glanced back, saw nothing and continued on. By now they were on Pont Marie, crossing the lie St.-Louis. To their right was the Cathedral Notre Dame. A few more minutes and they’d be across the Seine and onto the Left Bank.
For the moment Osborn had the upper hand. He looked ahead, searching for a side street or alley where he might be able to take his man out of public view. This was tricky business. If he moved too fast, he risked drawing attention to himself. But he had to move up or gamble losing him altogether should the man suddenly turn down an unseen street or hail a cab.
The rain came down harder and the glare from the passing yellow Parisian headlights was making it difficult to see. Ahead, his man turned right on boulevard St.-Germain and abruptly crossed the street. Where the hell was he going? Then Osborn saw it. The Métro station. If he got in there, he’d be swallowed up in a moment. Osborn started to run, rudely brushing people aside as he went. Suddenly he darted across the street in front of traffic. Honking horns made his man look back. For a moment he froze where he was, then rushed on. Osborn knew he’d been seen and that the man realized he was being pursued.
Osborn all but flew down the steps into the Métro. At the bottom he saw his man take a ticket from an automated machine. Then push through the crowd toward the turnstiles.
Looking back, the man saw Osborn’s running dash down the steps. His hand went forward, his ticket inserted in the turnstile mechanism. The press bar gave, he went through. Cutting a sharp right, he disappeared around a corner.
No time for ticket or turnstiles. Elbowing a young woman out of the way, Osborn vaulted the
turnstiles, dodged around a tall black man and headed for the tracks.
A train was already in the station. He saw his man get on. Abruptly the doors closed and the train pulled out. Osborn ran a few feet more, then stopped, chest heaving and put of breath. There was nothing left but gleaming rails and an empty tunnel. The man was gone.
2
* * *
MICHELE KANARACK looked across the table, then extended her hand. Her eyes were filled with love and affection. Henri Kanarack took her hand in his and looked at her. This was his fifty-second birthday; she was thirty-four. They’d been married for nearly eight years and today she’d told him she was pregnant with their first child.
“Tonight is very special,” she said.
“Yes. Very special.” Kissing her hand gently, he let it go and poured from a bottle of red Bordeaux.
“This is the last,” she said. “Until the baby. No more drinking while I’m pregnant.”
“Then the same for me.” Henri smiled.
Outside the rain beat down in torrents. The wind rattled the roof and windows. Their apartment was on the top floor of a five-story building on the avenue Verdier in the Montrouge section of Paris. Henri Kanarack was a baker who left every morning at five and didn’t return until nearly six thirty at night. He had an hour commute each way to the bakery near the Gare du Nord on the north side of Paris. It was a long day. But he was happy with it. As he was with his life and the idea of becoming a father for the first time at the age of fifty-two. At least he had been until tonight, when the stranger had attacked him in the brasserie and then chased after him into the Métro. He’d looked American. Thirty-five or so. Well built and strong. Dressed in an expensive sport coat and jeans, like a businessman on vacation.
Who the hell was he? Why had he done that?
“Are you all right?” Michele was staring at him. What was Paris coming to when a baker could be attacked in a brasserie by a total stranger? She wanted him to call the police. Then find a lawyer and sue the brasserie’s owner.
“Yes,” he said. “I’m all right.” He wanted neither to call the police nor sue the brasserie, though his left eye was all but swollen shut and his lip was puffed up and red/blue where the wild man’s blow had driven an upper tooth through it.